The Glorious Few for orchestra: Please click here

Missa Cum Gaudio for SATB soloists, Choir and Orchestra: Please click here

Sing a New Song for Mezzo Soprano, Choir and Orchestra: Please click here

Shades of Summer for Orchestra: Please click here

Caribbean Christmas Cracker for Orchestra: Please click here

The Flower Will Bloom, Scherzo from Symphony No.5 for Large Orchestra: Please click here

Chopin Variations for Orchestra: Please click here

We Will Remember Them for Unaccompanied SATB Choir: Please click here

Remembered With Love, Requiem - Movement 1: Introit for Mezzo Soprano, Choir and Small Orchestra: Please click here

Remembered With Love, Requiem - Movement 2: Come Lovely and Soothing Death for Mezzo Soprano, Choir and Small Orchestra: Please click here

Remembered With Love, Requiem - Movement 3: Pie Jesu for Mezzo Soprano, Choir and Small Orchestra: Please click here

Remembered With Love, Requiem - Movement 4: The Dove for Mezzo Soprano, Choir and Small Orchestra: Please click here

Remembered With Love, Requiem - Movement 5: Ode to Music with Sanctus and Benedictus for Mezzo Soprano, Choir and Small Orchestra: Please click here

Remembered With Love, Requiem - Movement 6: Communion with Agnus Dei for Mezzo Soprano, Choir and Small Orchestra: Please click here

Remembered With Love, Requiem - Movement 7: The Final Farewell for Mezzo Soprano, Choir and Small Orchestra: Please click here

Faure: Pie Jesu from the Requiem Op.48 arranged by Adrian Connell for SATB Choir and Piano or Organ: Please click here

Franck: Panis Angelicus arranged by Adrian Connell for SATB Choir and Piano or Organ: Please click here

Bach arranged Gounod: Ave Maria arranged by Adrian Connell for SATB Choir and Piano or Organ: Please click here

Mahler: Ave Maria, an arrangement of the Adagietto from Symphony No.5 commonly known as the theme from the film Death in Venice arranged by Adrian Connell for double SATB choir and harp. An extract from the Decca recording Illumina featuring New College Choir, Oxford conducted by Edward Higginbottom: Please click here